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Marlon Thomas: New music released to mark 30th anniversary of attack which left Bristol man in ‘waking coma’

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Some of Bristol’s biggest music names have contributed to the ‘No Justice’ EP tribute to Marlon Thomas

Family and friends of Marlon Thomas, a Bristol man left in ‘a waking coma’ by a vicious racist attack at the hands of a mob of workers from a funfair on the Downs, are marking the 30th anniversary of that attack.

An EP of songs from some of Bristol’s leading music acts is to be released on Friday night to mark 30 years before Marlon’s life changed forever. The EP has been put together by Marlon’s brother, singer-songwriter Rudey Lee, and features members from the legendary Bristol music pioneers Smith & Mighty, among others.

In the week leading up to the anniversary of the attack which shocked Bristol back in 1994, Rudey said Marlon has been readmitted to hospital as a precaution.

The EP release will take place at midnight on Friday night into Saturday morning, March 30 – the 30th anniversary of the date of the racist rampage on the Downs which saw a large number of young black people assaulted by a mob of fairground workers armed with clubs and bats. Marlon, who was just 18 at the time, was the worst injured, and ever since has been in what the judge at the trial of some of those responsible described as ‘a living death’.

This week, Marlon’s brother Rudey said: “The attack left him severely disabled, and totally dependent on others for all of his physical needs, 24 hours daily. He was only a teenager at the time. He is wheelchair-bound, unable to speak or to alert for assistance. His vision is impaired and he is fed through a tube inserted into his stomach.

“Marlon was admitted into hospital on Sunday morning this week, with breathing complications due to displaying flu-type symptoms. He was admitted as a precaution to prevent the possibility of him contracting sepsis. We are always extra-concerned whenever he has to be admitted into hospital, for the fear of him going in with one infection, and returning home with another – which has happened several times previously.

Artwork for an EP called 'No Justice', featuring members of Smith & Mighty, put together by Rudey Lee, to mark the 30th anniversary of the attack on his brother, Marlon Thomas
Artwork for an EP called ‘No Justice’, featuring members of Smith & Mighty, put together by Rudey Lee, to mark the 30th anniversary of the attack on his brother, Marlon Thomas 

“As a tribute to Marlon, we are releasing an EP featuring productions from Rob Smith, Smith & Mighty, Peter D Rose and Raman, to whom all I would like to express my deepest gratitude for their assistance on the project,” he added. The EP is called ‘No Justice’, and is available initially on Rudey’s bandcamp outlet.
What happened to Marlon Thomas?

Marlon, now 48, was left with very serious injuries in a brutal attack in 1994, which shocked the city. He was 18 years old at the time, and is still described by family and supporters as ‘Bristol’s Stephen Lawrence’. There were two main differences between the murder of Stephen Lawrence on a London street less than a year earlier in 1993.

The first is those responsible for the stabbing of Stephen Lawrence were not brought to justice amid now much-publicised institutional racism within the police, while most of the racist thugs who battered Marlon to within an inch, maybe a millimetre of his life, were caught and convicted.

The second was 18-year-old Stephen was killed, while Marlon was revived at the scene, but suffered life-changing injuries which effectively stop all normal life for him and his entire family. The judge at the trial of his attackers described his condition as ‘almost a living death’, and his family have described his condition as a ‘waking coma’ – and there has been little change in his condition since he regained consciousness in hospital after the attack.

In 2004, on the tenth anniversary of the attack on Marlon Thomas, which left him in a waking coma for the rest of his life, there was a moving exhibition of photos from before and after the attack, held at the Malcolm X Centre 

It happened a long time ago, in a different age. There was no Internet or social media in March, 1994, when the funfair came to Durdham Downs in Bristol, so the Thomas family’s ordeal and struggle is not instantly known to many people in Bristol today – especially the next generation.

Part of the battle, his brother Rudey Lee said five years ago, was to keep Marlon’s name and what happened to him in the city’s consciousness, to make sure the younger generation remember and support.

For Marlon, now 48, and the other young black teenagers and children who were attacked that night have all turned or are nearing 50 now – a generation since that violent night.

The sickening night of violence

The Birmingham-based Bob Wilson’s Fair arrived at the Downs in Bristol in the last week of March, 1994.

Like thousands of teenagers, Marlon and his girlfriend went, but on the Wednesday night, the area around resembled a battleground, albeit a one-sided one.

Racist thugs who worked on the fair – including Bob Wilson’s son himself – armed themselves with baseball bats, hammers, spanners, iron bars, wrenches, pieces of wood and other weapons and prowled the fairground and the darker areas surrounding it, looking for young black teenagers – battering any they could find.

The attacking gang shouted racist abuse, and their own intent to hunt down young black people, with sickening slurs. Witnesses later told the court case as many as 20 fairground workers attacked young black people. Five were hospitalised, many more were injured, and Marlon was left for dead.

In 2004, on the tenth anniversary of the attack on Marlon Thomas, which left him in a waking coma for the rest of his life, there was a moving exhibition of photos from before and after the attack, held at the Malcolm X Centre 

He suffered catastrophic head and chest injuries and stopped breathing. A bystander, Vernon Walker, administered CPR and paramedics took over and saved his life – but Marlon’s head injuries were severe.

He was left in a coma, and when he woke was unable to move or speak, with severe brain damage. It took three years or more for him to be discharged from hospital, in what is effectively a ‘waking coma’. He can now, 30 years on, communicate yes or no through blinking, but the attack robbed him of his future and his family of, effectively, their lives too.

The campaign

A group of family, friends and supporters quickly set up a Justice for Marlon Thomas campaign. In the early days it notched a number of successes, galvanising the city to back their case.

They took the case to the then Home Secretary, got backing from MPs and the city council – and a 10,000-signature petition forced the Downs Committee to ban that family-run fair from ever going on the Downs again.

The campaign also supported the other young people who were attacked, and their families, giving the solidarity and strength to support the police in tracking down those responsible.

The convictions

Stephen Appleton, then aged 46, was sentenced to five years for causing GBH with intent, and two years for violent disorder, to run concurrently. William Wilson, the 19-year-old son of the funfair’s owner, was jailed for four years for GBH, and two for violent disorder – again to run concurrently, rather than consecutively.

Jason Appleton, then 19, was jailed for three and a half years for GBH and two years for violent disorder, while Anthony Thompson, then 20, was sentenced for two years for violent disorder. Given those sentences were handed down with Marlon still in hospital, the city was struck by their leniency.

The CPS decided to drop charges of attempted murder, and go for the easier-to-prove charges of GBH with intent, and there was no – as there is now – extra severity in punishment for the racist element to the attacks. All the sentences were to be served concurrently, which effectively meant the attacks on the other young people that night went unpunished in terms of jail time.

How the Bristol Post covered the tenth anniversary of the attack on Marlon Thomas
How the Bristol Post covered the tenth anniversary of the attack on Marlon Thomas

The Justice for Marlon Thomas Campaign fought for an appeal, and that was successful, with a couple of years added to sentence lengths. But it is testament to just how little time those guilty of the attacks spent time in prison that they were all released before the end of that decade, and resumed their lives, while Marlon remained, and still remains, in what the judge at the trial described as ‘a living death’.

Even though Judge David McCarraher’s said: “This was very nearly a murder, and from a practical point of view, the boy has really lost any possibility of enjoyment of life and is suffering in effect, almost a living death,” he still gave what a later appeal court ruled were lenient sentences.

The aftermath

Keeping Marlon Thomas’ name, case and identity alive took many forms. Just three years after the attack, and soon after he was eventually discharged from hospital, a housing association named a little block of one-bed flats for young, single people, after him – Marlon Thomas House still stands in St George.

New flats for young people in St George were named after Marlon Thomas – pictured here with local MP Jean Corston, mum Catherine and brother Leroy, in 1997 

A documentary film was made about the case, and to mark the tenth anniversary, an exhibition of the case – poignantly including photos of Marlon before the attack – took over the Malcolm X Centre in St Pauls.

But the campaign and the efforts of the family were soon devoted to caring for their son, brother and cousin.

They had to battle to get him home from hospital to live with mum Catherine – after almost four years – and that only happened when a suitable home was found for him to come back to.

And the campaign battled to get criminal injury compensation for those others attacked, the full compensation for Marlon only fully came to the family in 2015 – 21 years after the attack.

In those years since, the family and the campaign had to battle the social care authorities – primary Bristol City Council – to get as good quality and intensive care provision as they could.

In 2004, on the tenth anniversary of the attack on Marlon Thomas, which left him in a waking coma for the rest of his life, there was a moving exhibition of photos from before and after the attack, held at the Malcolm X Centre 

“The main reason that Marlon was hospitalized for that long, was because suitable accommodation was not found sooner,” said Rudey, speaking about his family’s ongoing situation back in 2019. “Our family were relieved that Marlon moved into his own home. The property had some minor defects, and was never ideal for Marlon’s needs. Marlon has had chest infections, and pneumonia several time over the years.

“In fact, Marlon had to be rushed into intensive care at Frenchay hospital, the week he was due to move into his own accommodation. He had taken ill, and remained there for a week, being aided with breathing, due to low oxygen levels and breathing difficulties.

“Marlon’s health has to be constantly monitored because his condition makes him more susceptible to infections. Which is why we fought so hard for him to move into his own accommodation. Over the years we have had to gradually make some major alterations to the property, as well as general maintenance,” he added. It is, Marlon’s brother said, a continuing fight, to make sure Marlon gets the best quality of life possible.

Marlon Thomas' brother Rudey Lee appearing on stage with Smith and Mighty at the Respect in the West 2000 festival at Eastville Park
Marlon Thomas’ brother Rudey Lee appearing on stage with Smith and Mighty at the Respect in the West 2000 festival at Eastville Park 

“Marlon has needed physiotherapy and hydrotherapy ever since he woke up from his coma, and we were determined to have that continue to date and have managed to do so, as well as to include aroma therapy, which we have maintained until now, with a lot of battling.

“Marlon has two carers 24 hours per day, which we have been demanded and fought for, since he was discharged from hospital, because we know these are absolutely necessary to meet his needs,” he added.

Getting this level of care was a relatively recent development – for years until they waited for the compensation claims to come in, the family effectively did the bulk of the care themselves, while they ‘battled the system to fund it’.

Marlon Thomas and Vernon Walker, April 2002
Marlon Thomas and Vernon Walker, April 2002

For years, getting Marlon the care he needed and deserved was a daily battle. “We have had to have countless meetings with the authorities on an almost several days per week basis, for years, to get funding for Marlon’s care needs to be met,” added Rudey in 2019. “Then cuts were made, and we had to go through of all these meetings again to get these needs met again, for further years.

“And we did all of this while attending court for many years, trying to finalise Marlon’s compensation claim, so that he could fund his own care, and while attempting to keep Marlon’s situation in the public eye. to maintain The Justice for Marlon Thomas Campaign, and The Justice for Marlon Thomas Campaign premises,” he added.

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Teachings in Dub – International Dub Gathering

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Teachings in Dub – International Dub Gathering

Bristol launch party of International dub gatheirng

That’s right, we are holding the official Bristol Launch Party for the renowned International Dub Gathering (which takes places in Spain in June 2024).

This chapter of Teachings in Dub guarantees to be a night of solid sound system vibrations. You know what to expect from their events by now.

Line up coming soon…

Please note this is a standing event, accessible seating is available.

Last entry: 2 hours before curfew

Venue levy: Trinity is introducing a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

Starts: 26/01/2024

10:00 PM to 27/01/2024 05:00 AM

Where: Trinity Centre, BS2 0NW
Ticket price: £10 – £19 adv + bf (Please note £1 venue levy includeed in that fee)
Age limit: 18 +
Contact number: 01179351200
Contact e-mail E-mail
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Let’s welcome our new members:

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AfroFest – Summer Festival and Fashion Exhibition

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After a sold out 2nd edition of AfroFest in 2022, they return to Trinity for another day of music, dance, fashion and more. Featuring Headliners from Bristol and London.

Live Music | Dj Sets | Food Stalls | Dancers | Bouncy Castle | Face painting | African Fabric Fashion Exhibition | African Cultural Showcase | Games

The following age group below can pay at the gate on event day.

  • £5 for 6 years to 11 years (Must be accompany by an adult)
  • Under 5 years old are FREE. (Must be accompany by an adult)

For Stalls, Sponsorship & Partnership Please Email : contact@afrobeatfridays.co.uk

Phone, Text, Whattsapp : 07534491330

For Artists, Dancers, Volunteers or however you think you can contribute to being part of AfroFest please contact email : contact@afrobeatfridays.co.uk

Please note this is a standing event, accessible seating is available.

10/06/2023
Starts 01:00 PM to 09:00 PM

Ticket price: £10 +bf
Age limit: All Ages (under 16s must be accompanied by an adult)
Contact number: 0117 935 1200
Contact e-mail: info@trinitybristol.org.uk
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The St Pauls Carnival legend ready to bring Ghetto Force back

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Selecta Watson looking ahead to the return of St Pauls Carnival 2023
Selecta Watson is looking ahead to the return of St Pauls Carnival 2023

A stalwart and legend of St Pauls Carnival has spoken of his excitement that the iconic Bristol event is back for the first time in four years.

And Selecta Watson has confirmed he will be bringing his Ghetto Force sound system to the stage in Portland Square, where thousands will party the day and evening away on July 1.

It’s the first full-scale St Pauls Carnival since 2019 – the pandemic stopped the party in 2020 and 2021, and last year’s was a series of smaller community events. And for Selecta, it will be a triumphant reconnection to something that’s been a huge part of his life for 40 years, and a return to his natural home – curating and MCing some of Bristol’s top talent in a wide range of musical genres on the day.

 

Selecta has been involved in carnival for as long as he can remember. He went from a child helping out at a family stall to being a key member of the organising committee, and staging the most popular and enduring sound system.

“I think the first time properly helping and doing something for the carnival was when I was about nine or ten,” said the St Pauls Carnival legend, who is now 49. “My uncle ran a stall on Brighton Street back then, and I would help him all day on that.

“I kept to that until I was maybe 18 or 19, and I was starting to get more and more into music. I was playing at christening and weddings and parties. My uncle’s good friend Rene ran a sound system called Godfather Sounds, which was always set up outside the Inkerman’s pub, and I think in about 1990 or 91 he said to me ‘why don’t you play with me at St Pauls Carnival?’ he asked me and I went along that first year, and started doing that every year,” Selecta said.

Looking back now, Rene was mentoring Selecta to take over what at the time was an already well-established and important sound system at carnival.

“He was an old guy back then and he took a step back a bit, but he was so important for me. He taught me how to set it all up, doing all the wiring, create a good sound system, and he showed me how to do things. I have just got so much love and respect for Rene. He said to me he wanted me to keep things going, and I promised him I would. He would just be so happy if he could see how it’s grown now,” he said.

The Ghetto Force stage at St Pauls Carnival in 2013
The Ghetto Force stage at St Pauls Carnival in 2013 

Selecta took over in the early-1990s, and in the mid-90s he joined famous Bristol pirate radio station Ragga FM, and for two years used the stage at the Inkerman as a platform for Ragga FM DJs.

By around 1998, it became the Ghetto Force stage, and for the past 25 years that’s been the name now synonymous with Selecta, through music nights at venues around Bristol and beyond, and there’s even a range of clothing with the GF brand.

An image from the police helicopter taken in 2012, showing the scale of the crowds at Selecta Watson's Ghetto Force stage outside the Inkerman in St Pauls at St Pauls Carnival
An image from the police helicopter taken in 2012, showing the scale of the crowds at Selecta Watson’s Ghetto Force stage outside the Inkerman in St Pauls at St Pauls Carnival 

“The stage has had changes over the years,” he reflected. “Back in the 2000s we were the only ones doing competitions, the dancehall king and queen, and I built it up so we had a national reputation – artists would want to play on the Ghetto Force stage. When I first started we had maybe ten people dancing in front in the street, and I remember that vividly. Now, we have thousands,” he added.

In the 2000s, Selecta got involved in running the entire event, and was a prominent figure in the carnival organising committee for many years. “I knew that it wasn’t enough for me to just do my stage, that if the event was to happen, then it needs people to step forward and help, so I did,” he said.

The carnival went through a few turbulent years in the 2010s, and has since been taken forward with a new organisation and board, but Selecta will still be heavily involved on the day, but in a different location.

After 2017, such was the crowds of previous years, organisers re-jigged the spaces and decided that Ghetto Force was so popular it needed to be in Portland Square. So in 2018 and 2019, thousands danced the day and evening away in the stage’s new location, only for the pandemic to cut the party short since then.

This year, Selecta is back with the motivation of three missed years to make up for, and determined to make the Ghetto Force stage the place to see Bristol artists shine.

“It’s all about giving Bristol artists a platform, and showing the people what Bristol is all about. I want to get Bristol artists to a certain level, and it will be a wide range of music, we’ll have reggae, R&B, hip-hop, Afrobeats, garage, drum n bass and jungle, and be a good mix of MCs, artists and DJs,” he said. “Portland Square is going to be crazy.”

Selecta Watson and rap star K-Ners, looking ahead to the return of St Pauls Carnival 2023
Selecta Watson and rap star K-Ners,

The list of artists already set to appear on the Ghetto Force stage includes K*Ners, Asher Simmons, Rass Kelly, Frilla, Dash Villz, reggae singer Alicia Scott, from Cardiff, Bristol’s top drum n bass and jungle syndicate Urban Front Sound, and other sound systems and artists. “It’s going to be amazing. I know Rene would just be so happy,” said Selecta.

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En Masse

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En Masse

Explore our city’s creative forces in a multi-venue festival

En Masse returns to Bristol in 2022.

This year En Masse are bringing you a big ole banging club night from some of the most sought out DJ’s in the UK via the inimitable Sinai Sound. These artists are true masters of their craft and have time after time made their mark on UK club music.

We are proud to welcome (in running order):

  • I-Sha
  • Batu
  • Josey Rebelle

i-Sha plays out a breadth of selections, which is how we like to start a night. We’ve had our eyes and ears on the Accidental Meetings resident for a while now and have been very impressed.

Batu behind the decks at Trinity Centre has been some of our favourite times on the dance floor (not biased just facts). Fresh off the Opal release and rolling into a summer of festivals including closing Dekmantel, you cannot get better than Batu.

Josey Rebelle has been described as a “genre-bending DJ dominating top-tier dancefloors worldwide”, and we would tend to agree. Which is why we had to book Josey to close out the night on Sinai’s stacks. It’s going to be legendary.

Friday night, the 23rd September, we are back,back,back again at Trinity Centre. It’s one of our favourite venues in the UK, if not for the fact it can hold an ungodly amount of stacks in its halls.
This year we’re bringing you a big ole banging club night from some of the most sought out DJ’s in the UK via the inimitable Sinai Sound. These artists are true masters of their craft and have time after time made their mark on UK club music.
We are proud to welcome (in running order):
i-sha
Batu
Josey Rebelle
Need we say more?
i-Sha plays out a breadth of selections, which is how we like to start a night. We’ve had our eyes and ears on the Accidental Meetings resident for a while now and have been very impressed.
Batu behind the decks at Trinity Centre has been some of our favourite times on the dance floor (not biassed just facts). Fresh off the Opal release and rolling into a summer of festivals including closing Dekmantel, you cannot get better than Batu.
Josey Rebelle has been described as a “genre-bending DJ dominating
top-tier dancefloors worldwide”, and we would tend to agree. Which is why we had to book Josey to close out the night on Sinai’s stacks. It’s going to be legendary.

23/09/2022 10:00 PM to 24/09/2022 05:00 AM

Ticket price – £19 adv + bf

 

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Sister Nancy & Legal Shot Sound

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Sister Nancy & Legal Shot Sound

Jamaican dancehall DJ and singer

The original Sister Nancy aka Mumma Nancy is, without a doubt, the first solo female deejay to record hits in the studio and has been a formidable female voice on the Dance Hall scene for over two decades.

Sister Nancy is renowned for performing ‘inna soundsystem’ style in the streets of Kingston, Jamaica. Everyone knows her dancehall classics ‘Bam Bam’ and ‘One Two’ all performed in her original ‘ragga muffin style’.

Sister Nancy will head up Trinity backed by ‘rub a dub’ artist Legal Shot.

+ support from

Dutchie ft Joe Yorke

DJ Dad

Please note, this is a standing show

Please read our COVID-19 Safety Policy for information on attending events during this time.

About Trinity Presents

This is part of Trinity Presents – our in-house programme of music, bringing world-class artists and emerging talent to inner-city audiences.

27/05/2022    Starts 07:00 PM to 11:00 PM

Ticket price: £18 adv + bf
Age limit: 14 + (under 16s must be accompanied by an adult)
Contact number: 0117 9351 200

https://youtu.be/GyaHCw5EeRA

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Black Roots Live

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Black Roots

Legendary roots reggae band

Formed in 1979, Black Roots exploded onto the Roots Reggae scene in 1981 and continued to make large waves in the music scene till the early 90’s. But all went quiet for the band after this and they seemed to slide off the ends of the earth with nothing happening for over 10 years. Their rebirth was engineered in 2004 and the soldiers for poverty and righteousness arose from the ashes to drop 4 new albums ‘On the ground’, ‘Ghetto Feel’, ‘Son of Man’ and ‘Take it’. Their newest release was in 2021 ‘Take it Easy’. They are once again performing delivering their conscious and uncompromising messages with harmonic vocals, backed by their unique deep melodic roots reggae rhythm.

+

Roots Injection Soundsystem ft Tappa Outta (Bassi Sound)

Indica Dubs

Green King Cuts Soundsystem

Starts: 02/07/2022 10:00 PM to 03/07/2022 05:00 AM
Ticket price: £20 adv +bf
Age limit: 18 +
Contact number: 0117 935 1200

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Teachings In Dub vs Bristol Dub Club

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Teachings In Dub vs Bristol Dub Club

After a run of sell out shows at the Trinity Centre we return for our first event of 2022. We unite with the Bristol Dub Club for some unity in the community vibrations. 2 Sounds, 1 Arena!
JAH LOKKO
meets
QUALITEX ROOTS VIBRATION
This dance will sell out in advance so make sure you grab your tickets!
Bristol’s best soundsystem events celebrating roots and culture

Teachings In Dub is back with their first show with two sounds since pre pandemic.

Qualitex Roots Vibration w/ Young Lion, Kutty + full crew

meets

Jah Lokko w/ full crew.

FRIDAY, 28 JANUARY 2022 FROM 18:00-01:00

Please read our COVID-19 Safety Policy for information on attending events during this time.

Do remember to read the Trinity Centre’s conditions of entry here: https://www.trinitybristol.org.uk/…/covid-safety-jul21

 

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Abstract Orchestra Play MF DOOM

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A dark and brooding interpretation of the masked VILLAIN’s finest work

Abstract Orchestra return with their MF DOOM set, focusing on the work of DOOM and collaborations such as MF DOOM and Madlib (MADVILLAIN).

Making some of the most exciting music in hip hop, Abstract Orchestra blend jazz orchestration with hip hop beats and MCs. The 18 piece, all star, big band create music that is both heavy and beautiful, pushing the boundaries of live hip hop. Abstract Orchestra explore original samples used in hip hop joints, orchestrated across the ensemble, masterfully reinterpreting the music of hip hop greats, such as J Dilla and MADVILLAIN.  The group have toured and recorded with the likes of MF DOOM, Slum Village, and Illa J and supported Yasiin Bey, Talib Kweli, and The Zulu Nation.

Taking influences from Quincy Jones, Lalo Schifrin, and David Shire, the arranger, Rob Mitchell sits somewhere between Madlib and Quincy Jones. With classic aspects of big band writing, a focus on improvisation, and mad respect for hip hop, this set is high-energy and high-octane head nods from start to finish.

Ticket on sale: Fri 28 May, 10am

Please note, this is a standing show

Please read our COVID-19 Safety Policy for information on attending events during this time.

22/11/2021
Starts 07:00 PM to 11:00 PM

Where: Trinity Centre
Ticket price: £18 +bf
Age limit: 14 + (under 16s must be accompanied by an adult)

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